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By the turn with the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on interior planning.
English feminist author Mary Haweis wrote several widely read essays inside 1880s during which she derided the eagerness that aspiring middle-class people furnished their houses based on the rigid models provided to them because of the retailers.[10] She advocated anyone adoption of the particular style, tailor-made to the person needs and preferences with the customer:

"One of my strongest convictions, and one in the first canons of fine taste, is always that our houses, such as fish’s shell and also the bird’s nest, must represent our individual taste and habits.
The move toward decoration as being a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus together with the 1899 formation in the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which often 10 were women. Rhoda and Agnes Garrett were the initial women to coach professionally as interior designers in 1874. The importance of their work with design was regarded during the time as using a par your of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic design to a wide middle-class audience.[12]

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