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By the turn in the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on design. English feminist author Mary Haweis wrote a few widely read essays within the 1880s through which she derided the eagerness which aspiring middle-class people furnished their houses in line with the rigid models provided to them from the retailers.[10] She advocated the average person adoption of your particular style, tailor-made to the consumer needs and preferences with the customer:

"One of my strongest convictions, and one from the first canons of fine taste, is the fact that our houses, just like the fish_s shell and also the bird_s nest, will need to represent our individual taste and habits.
The move toward decoration being a separate artistic profession, unrelated towards the manufacturers and retailers, received an impetus using the 1899 formation with the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the initial women to practice professionally as interior designers in 1874. The importance of their work towards design was regarded at that time as using a par your of William Morris. In 1876, their work _ Suggestions for House Decoration in Painting, Woodwork and Furniture _ spread their applying for grants artistic design to a wide middle-class audience.[12]

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